Review

Andrea Rocca reviewed the LCT 640 TS and provided some excellent sound samples, check them out.

Warren Huart of Produce Like A Pro tested the LEWITT LCT 240 and recorded an acoustic guitar, an electric guitar, a electric bass and vocals. Summary: “It’s a…

Sebastian Dural of Phantom DS music Studio visited Heinrich House of Heinrich House Studio and brought his LEWITT equipment for a microphone shootout in the…

Paul Vnuk Jr published an enlightening review of the LCT 550. Summary: "I think that the LCT 550 [...] could easily serve well as a one and only workhorse mic, especially if you have any desire to record acoustic instruments such as strings and acoustic guitar."

Guitarist, songwriter and producer Michael Elsner tested the DGT 650 extensively in practice and published his comprehensive review in Collectible Guitar magazine.

Rob Coates did a short user review of the LCT 840 on gearslutz.com.

We would like to thank Gearslutz member Andrea Rocca for his review of the LCT 940.

Paul White reviewed the DGT 650 USB microphone and interface in a very informative way and concludes: "The build quality matches that of their premium studio mics, and the audio quality makes the DGT 650 suitable for studio use as well as podcasting, location sound gathering and recording your gigs."

Paul White of Sound on Sound wrote a comparative review of the MTP 840 DM and the MTP 940 CM.

Paul White of Sound On Sound magazine wrote a revealing review of the LCT 550. Conclusion: "I have to conclude that the LCT 550 is a very capable all-rounder that delivers an honest yet musically satisfying sound in just about any recording situation you can imagine."

Gino Robair tested the flagship drum microphone package DTP Beat Kit Pro 7 and compared it to seven other drum mic kits.

Paul Vnuk Jr wrote a very comprehensive review of the DTP 640 REX.