Experience pure studio sound.LCT 440 PURE

XLR true condenser microphone
High-end circuit design
For vocals, podcasts, and instruments
Record-Ready sound for easy recording
1" true condenser capsule
Cardioid polar pattern
Camera-friendly design

Included: Shock mount, Magnetic pop filter, Foam windscreen, Transport bag

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Studio quality for vocals and instruments.

The LCT 440 PURE represents the distilled essence of our top-of-the-line microphones.

What you get is a studio-quality microphone with high-end specs, and Record-Ready sound to unfold your creative potential.

Perform better with Record-Ready sound.

To make recording as easy as possible, the LCT 440 PURE features Record-Ready sound. It makes your voice and instrument sit well in the mix.

Vocals sound fantastic from the start
Instruments shine with rich details
Podcasts get perfect clarity

"LEWITT has been the best upgrade for my studio in a long time. This mic is awesome, but I can't wait to try more gear from LEWITT!"

Abija, Rapper & Content Creator

"The LCT 440 PURE is my go-to vocal mic! It is detailed, well-balanced, and sounds great straight out of the box! With just a touch of compression and reverb, it produces a vocal sound that competes with even the highest-priced mics on the market!"

Jordan Rabjohn, Vocalist & Content Creator

Sound samples

Used in iconic studios around the world.

The Record-Ready LEWITT sound is the first choice for producers and engineers working with artists like Justin Bieber, The Rolling Stones, Lil Yachty, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat.

LEWITT microphones are also an integral part of microphone lockers in iconic studios like Atlantic Records Studio, Blackbird Studios, Metropolis Studios, Sound Factory, and many more.

High-end specifications ensure best sound quality.

1" true condenser studio capsule
Cardioid polar pattern with effective rear rejection
7 dB(A) of self-noise
Max SPL of 140 dBSPL
Gold-plated 3-pin XLR connector
Sturdy full-metal housing

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A truly camera-friendly design.

LCT 440 PURE has a compact and clever design that makes it easier to show your face to the camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or field of view.

The shock mount protects your signal from structure-borne noise. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.

Preserve the rainforest with the VIDA limited edition.

For a limited time only, the LCT 440 PURE is available in a special rainforest green edition. Each unit sold of this VIDA limited edition supports a project dedicated to saving the rainforest in Costa Rica.

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Need an audio interface? CONNECT 2 is the easy choice.

Go to CONNECT 2 All audio interfaces

Reviews

Recording Magazine

“The LCT 440 PURE does have a sound to it that is forward, open, and clear, but with a subtle richness to keep it out of the strident uber-bright realm. Given that, there is no place or source where I would be hesitant to use the LCT 440 PURE." Paul Vnuk Jr., Recording Magazine

Full review

Sound on Sound

“Speech sounds clear and very ‘present’ but without being harsh, while the low end remains solid, making this a good choice of vocal mic for those singers who need a little help with their clarity. Acoustic guitar also comes over as well balanced and with good articulation, suggesting that it would make a good choice for a range of acoustic instruments wherever there’s a need to retain good definition.”

Paul White

Full review

Guitar Interactive

“The top end is bright enough to sparkle, and the off-axis response is smooth enough that turning the mic a few degrees gives a more 'vintage" sound without having to resort to EQ. [...] The LCT 440 PURE is a workhorse mic with a look and feel, and most importantly, a sound that defies its price.”

Andi Picker

Video ansehen (EN)

Future Music Magazine

“The LCT 440 PURE sounds great and responds very well to a wide range of sources without clouding or over emphasizing areas of the frequency spectrum.”

Robbie Stamp